This isn’t a sponsored post.
BrumHour saw Birdsong at the invite of Birmingham Rep.
By David Fox x.com/DavidFoxTheatre
Birdsong has been given an age guidance by its producers 15+, with the production containing nudity and simulated sexual content, strong language, sexual references, themes of war, death and violence and references to abuse.
Birdsong at Birmingham Rep: Review
⭐⭐⭐⭐⭐”Outstanding!”
Directed by Alastair Whatley adapted by Rachel Wagstaff from Sebastian Faulks’ Birdsong
“How far would you go for love?”
Birdsong, the epic story of love and loss set during the First World War, returns to the stage to mark the 30th anniversary of Sebastian Faulks’ international best-selling novel.
Love, loss, and resilience. A poignant tale set against the harrowing backdrop of World War I. The play follows the intertwined lives of Stephen Wraysford, a young Englishman whose passionate affair with Isabelle Azaire in pre-war France shapes his emotional core, and the soldiers he leads through the unimaginable horrors of the trenches. Through transitions between the past and present, the production captures the fragile humanity that persists amid the relentless brutality of war, offering audiences a moving exploration of loyalty, survival, and the enduring power of memory.

Acting in Birdsong is extraordinary, bringing Sebastian Faulks’ characters to vivid life with emotional depth and authenticity. James Elser is simply excellent as Stephen Wraysford, particularly during the First World War scenes. Equally compelling is Charlie Russell as Isabelle Azaire, whose portrayal beautifully conveys the conflict and vulnerability of a woman torn between passion and duty. The relationship between the two is excellently played out.
Max Bowden, best known for playing Ben Mitchel in EastEnders, delivers a heart-wrenching performance as Jack Firebrace, capturing the character’s warmth, humour, and quiet despair with remarkable nuance, making his journey deeply moving.
The excellent ensemble cast excels in bringing humanity to the harrowing and tender moments alike, creating an emotional connection with the audience that lingers long after the play’s final moments.
Costumes and set design of Birdsong are nothing short of amazing, vividly transporting the audience to the tumultuous era of World War I. The stage is dominated by the hauntingly evocative trenches, constructed with meticulous detail, their claustrophobic walls creating an oppressive atmosphere that mirrors the soldiers’ psychological torment. Light plays a masterful role, filtering through slats of wood to create shadows, coupled with swirling smoke effects, the scenes become ghostly and immersive, evoking the chaos and uncertainty of the battlefield. These elements create a powerful visual experience that deepens the story’s emotional impact and stays with the audience.

Birdsong is a breathtaking theatrical experience that expertly captures the harrowing realities of war. The scenes of soldiers going ‘over the top’ were incredibly powerful, evoking both the courage and the despair of those moments. A particularly poignant touch was the reading of letters home before the big push, accompanied by male voices singing in harmony, which added a haunting emotional depth. The production’s sound design was unforgettable, with explosions so loud and visceral that they created a genuinely frightening atmosphere, immersing the audience in the chaos of the battlefield.
I was also pleased to note that this production is in support of the Royal British Legion, and the work they do throughout the country. For more information visit britishlegion.org.uk
The production is approximately 2 hours 55 minutes including 2 intervals – however each act feels quickly paced and compelling.
Everything about this production is outstanding – my first “must-see” theatre of 2025! Haunting, immersive, and poignant – Birdsong is an unmissable production and unforgettable theatrical event! Birdsong is at Birmingham Rep until 1st February 2025.
Discover what is coming up at Birmingham Rep here: birmingham-rep.co.uk/whats-on.



