This isn’t a sponsored post.
BrumHour saw & Juliet at the invite of Wolverhampton Grand.
By Suzie Speaks x.com/suzie81blog
Review: & Juliet at Wolverhampton Grand
⭐⭐⭐⭐”Must see theatre”
Directed by Luke Sheppard, music and lyrics by Max Martin, book by David West Read
The plot gives Romeo and Juliet’s Shakespeare a contemporary makeover, exploring Juliet’s journey of self-discovery and empowerment in a world where she takes control of her own destiny. The narrative cleverly subverts the typical Shakespearean tragic arc, and although it’s often tongue-in-cheek, it still retains a sense of authenticity in Juliet’s quest for identity and independence.
From the outset, it is clear that we are in for a treat with an extremely talented cast.
Gerardine Sacdalan shines as Juliet, delivering a standout performance filled with charm, wit, and emotional depth with beautiful vocals. Matt Cardle and Lara Denning as Shakespeare and Anne Hathaway add layers of humour and warmth (and superb vocals), making the characters feel grounded despite the fantastical premise. Sandra Marvin as Angelique wowed the audience with her powerhouse vocals and hilarious personality that she brought to the stage, and I loved the chemistry created when paired with the (admittedly surprisingly) comedic performance from Ranj Singh.
I particularly liked the portrayal of the relationship between May (Jordan Broatch) and François (Kyle Cox). May, a non-binary character and their connection with François, a traditionally romantic and somewhat awkward suitor is portrayed with sensitivity as they navigate their own feelings of belonging and love. Their relationship highlights the importance of acceptance, patience, and finding love beyond conventional labels, making it one of the more touching and progressive arcs in the musical.
A big shout out to Liam Morris, who stepped into the role of Romeo in the second act with enthusiasm, bags of humour and great chemistry with the rest of the cast on stage.
The show is packed with hit songs from Swedish pop maestro Max Martin, whose catalogue spans decades of chart-topping anthems. From Baby One More Time, I Want It That Way to Roar, It’s My Life and Since U Been Gone. There are high-octane performances throughout – and I enjoyed the humour that was brought to the show through the use of the songs. However, the plot can feel a bit thin at times and leans heavily on its pop culture appeal. While the humour and energy rarely wane, there are moments where the narrative seems to take a back seat to the musical spectacle.
The set design is bold and dynamic, mixing traditional Elizabethan aesthetics with modern, neon-lit flourishes that enhance the show’s playful tone. Costume design follows suit, with Juliet donning both period garb and modern-day chic as she grapples with her identity.
& Juliet is a show that offers a heartwarming and empowering tale that’s both entertaining and thought-provoking, with themes of self-determination, resilience, and joy is universal, making it a must-see for theatre lovers and casual audiences alike. & Juliet is at Wolverhampton Grand until 12th October 2024. Book tickets here: grandtheatre.co.uk/whats-on/juliet.
